UNITED STATES 6,756 UNITED KINGDOM 2,509 GERMANY 1,866 SOUTH KOREA 923 ITALY 905 FRANCE 803 JAPAN 722 SPAIN 631 MEXICO 453 BRAZIL 350 COLOMBIA 259 THAILAND 169 SOUTH AFRICA 137 INDONESIA 93 NIGERIA 12 JAMAICA 0
GF RISING · WEEKLY

Indonesia — Week 36, 2026

SCORING WINDOW 2026-08-06 → 2026-09-02 · 33 ARTISTS · 122 VENUES SCORED

GROUND FREQUENCY DATA DESK — SOUTHEAST ASIA

Indonesia scene: a landmark silhouette over a skyline drawn from this week's Indonesia chart
ID

Artists scored

33

Venues scored

122

Tracked events · 28d

93

Chart depth

Top 10 / 30

01 · ARTISTS Artists whose momentum is building fastest in this scene
TOP 10 OF 33 SCORED
RKΔARTISTTIERGENRELAST WKSCORE
1 = FILY KURCACI Regional World Music 1 88.3 2 = LAILA AYU Continental DJ / Electronic 2 76.9 3 = ST 12 National Jazz 3 74.4 4 = Difarina Indra Adella Continental 4 66.0 6 = HarajukuRay Regional DJ / Electronic 6 64.0 7 = Shepin Misa Regional DJ / Electronic 7 59.5
THE CHART CONTINUES TO 30 FOR SIGNED-IN READERS SIGN IN WITH MISFY →
02 · VENUES The rooms pulling ahead in this scene
TOP 30 OF 122 SCORED
RKΔVENUETIERCITYLAST WKSCORE
1 ▲4 Desa Potato Head Bali National Bali 5 88.7 6 Vault Jakarta National Jakarta 83.4 7 ▼6 Le Cirque Jakarta Regional Jakarta 1 80.3 10 = KRAPELA National Jakarta 10 75.0 11 ▼9 ︎ HATCH Uluwatu Bali Restaurant 𐃯 National Bali 2 73.5 15 ▼7 Taman Ismail Marzuki Jakarta Continental Jakarta 8 68.5 16 ▼5 The Orchard Bali National Bali 11 64.7 17 ▲1 Atlas Super Club National Bali 18 63.7 22 ▲2 ULU CLIFFHOUSE National Bali 24 58.4 24 Tabu Supper Club National Bali 57.6 26 ▼10 MISS FISH National Bali 16 55.3 30 ▼9 Klymax Discotheque National Bali 21 53.3
THE CHART CONTINUES TO 50 FOR SIGNED-IN READERS SIGN IN WITH MISFY →

HOW THIS CHART WORKS

GF Rising ranks momentum from multi-platform growth, consistency and acceleration signals, powered by MiSFY Score — the same scoring applied to two sides of the scene: artists and venues. Both chart in the country their tracked profile is registered to. We publish the evaluation areas and channels — never the weights. Full methodology

Archive