UNITED STATES 6,756 UNITED KINGDOM 2,509 GERMANY 1,866 SOUTH KOREA 923 ITALY 905 FRANCE 803 JAPAN 722 SPAIN 631 MEXICO 453 BRAZIL 350 COLOMBIA 259 THAILAND 169 SOUTH AFRICA 137 INDONESIA 93 NIGERIA 12 JAMAICA 0
GF RISING · WEEKLY

Brazil — Week 36, 2026

SCORING WINDOW 2026-08-06 → 2026-09-02 · 64 ARTISTS · 250 VENUES SCORED

GROUND FREQUENCY DATA DESK — LATIN AMERICA & CARIBBEAN

Brazil scene: a landmark silhouette over a skyline drawn from this week's Brazil chart
BR

Artists scored

64

Venues scored

250

Tracked events · 28d

350

Chart depth

Top 30 / 30

01 · ARTISTS Artists whose momentum is building fastest in this scene
TOP 30 OF 64 SCORED
02 · VENUES The rooms pulling ahead in this scene
TOP 30 OF 250 SCORED
RKΔVENUETIERCITYLAST WKSCORE
2 ▲7 Kza de Sal Regional Rio de Janeiro 9 90.2 6 ▼5 acervo National Rio de Janeiro 1 88.5 7 ▼4 vidadura galeria Regional Rio de Janeiro 3 87.8 11 ▲17 Sofitel Ipanema National Rio de Janeiro 28 86.6 13 ▼6 Firma National Rio de Janeiro 7 86.0 16 ▼14 The Cavern Club São Paulo National Sao Paulo 2 85.4 17 ▲7 Centro de Cultura Negra Fruta do Pé Continental Rio de Janeiro 24 84.2 19 ▼15 Instituto Brasileiro de Teatro National Sao Paulo 4 82.7 20 Complexo DJ Club National Sao Paulo 81.3 22 ▲1 Bailes Piratininga Regional Sao Paulo 23 80.5 23 Formosa Hi-Fi Continental Sao Paulo 79.1 24 ▼12 Bar Alto National Sao Paulo 12 78.1 25 ▲2 HOME CLUB Regional Sao Paulo 27 77.6 26 Baiuca National Rio de Janeiro 77.3 29 ▼15 Iccarus Continental Sao Paulo 14 76.9 30 ▼25 CRONØ CLUB Regional Sao Paulo 5 76.7
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THE ROOMS 1 ranked by who played them

Not the room's own growth — the momentum of the artists our appearance registry places on its stage, averaged per appearance over the trailing year. How the index is built.

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HOW THIS CHART WORKS

GF Rising ranks momentum from multi-platform growth, consistency and acceleration signals, powered by MiSFY Score — the same scoring applied to two sides of the scene: artists and venues. Both chart in the country their tracked profile is registered to. We publish the evaluation areas and channels — never the weights. Full methodology

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